Emotion in Alternative Tango and Abstraction of Art:
(I’m in general less a fan of alternative tango now versus when I wrote this article)
“I have to disagree though that the lack of humans in performance or direct emotion from the music robs dancers of their ability to express the music. Instead, the way I see it, it lets the listener form a personal connection to the song more easily and permanently imprint their own emotion subjectively onto the song for every time they listen to it.”
My basic argument here is “I know everybody else thinks about it this way, but I don’t.” I think I had a valid-ish point with this though. The other side of this argument is that Alternative tango tends to be very precise with when which parts correspond to certain movements, so from that perspective, it is difficult to really have much free reign over how you’re dancing to the music. My counter to that is even permitting that is true, there are certain movements that would be kind of improper for most traditional tango music which alternative tango allows people to explore. So even if in some regards, alternative tango is restricting, there are benefits to playing at least a limited selection in a milonga. Regarding this whole idea of having inherent emotion versus people bringing their own emotions to the music, it’s good from a mathematical perspective, but from my very very limited and circumstantial understanding of psychology, people tend to be more willing to express their own emotions in situations where other strong emotions are already present.
“I wrote all of that in a huge rush, so why don’t I try to reiterate this differently. “
Uhg… I know I’m still guilty of clunky transitions nowadays (ha! Geddit? Because I’m trans… Wait, what?) but this is really brutal reading back.
“I believe that a work of art’s impression on a viewer / reader / listener / consumer is far more significant that the original intent of the piece. In essence, what a person takes out of art — their subjective experience with it — is more important than the piece of art itself.”
This is a totally different argument from the past part. I’m basically just reiterating the thesis for death of the author here and it’s only tangentially related to my original point.
“Alternative tango can enable the listener, by being more abstracted in emotion, to form an easier sentimental value with the song.”
This is just blatantly untrue and would give people out of the loop a misconception about alternative versus traditional tango… If I were to make the fallacy of categorizing an entire genre of music at all, I’d categorize alternative tango as too blunt with its emotions. Listen to “Otra Luna” by Narcotango or “Cinqo Minutos de Soledad” by Tangolectra. Mind you I’m generally a fan of both of these artists, it’s just this particular songs that, gosh, they sure are abstract with their emotions. I have no idea what they’re going for at all. I think a lot of traditional tango music can be emotional, for sure, but it doesn’t beat you over the head the way these songs do. The former, at least in my local tango group, is highly regarded as one of the great gems of contemporary tango music. *shudders*
Madarame’s Big Resolution:
“I’ll be honest, I thought there was a chance for MadaHato to be a reality. A slim one at that. But now Genshiken is telling us how silly it is to think anything other than this would happen….Well, I’m sure that MadaHato did have a real — but slim — possibility….I’d say more disappointing than MadaHato being a reality is that Hato isn’t interested in men….”
I did a nice job editing out all the sniffles there. Aha! Be proud, past me! You have been avenged.
On Content Creation:
“I feel like society has started putting a stronger focus on the creators of works and their personality and personal lives….”
Hang on, repeat that.
“I feel like society…”
Okay, right here, starting anything with this phrase is just a bad idea. If you write a blog article and this is how you start it, you’re doing something wrong. Now, beyond that, I do think I have a valid point here within the world of YouTube, but it’s a pretty damn big generalization to say all of society is this way,
This Kind of Writing:
“Often I have ideas for why I like some aspect of some anime or manga, and the idea is complex enough to take up 500 words, but I’d love to be able to go full-out Hearts of Furious Fantasies style with the 10,000 word posts.”
Aw, that’s cute, even if I do mess up his blog name.
Genshiken Has Made Me Depressed:
See, I even knew it at the time. Can you all understand why I’ve written like, 5 blog articles about how great Spotted Flower is in the past month?
Revolutionary Girl Utena’s TRUE REVOLUTION:
I definitely have this habit of conflating my emotional attachment to things with analytical points. I’d have to do my research here, but I’m gonna go out on a limb and guess that 革命, the word for “revolution” in Japanese, probably only means revolution in the sense of The French Revolution and not so much in the sense of revolving around an object. It’s possible that the creators were aware of the dualistic meaning in English and chose the word 革命 based off of that, but I highly doubt it.
Is Copyright a Cultural Bias?:
I think this is a really great idea and pretty forward-thinking for a point in my life where I was having my red-pill phase, but when I said,
“This could just be sanctioned because most of the musicians and orchestras were friends with one another and had their own cool kids club, but I feel like most of them genuinely didn’t care if another orchestra played their song.”
I did like, no research at all to confirm whether or not this was true. My source for this was basically some (non-Argentinian) DJ giving me this whole narrative about this thing rather than actually looking for whether or not it’s true for myself.
How to ‘Get’ Action!
Oh god. I just realized the song is called “Get Action” in an album titled “Bedroom Bedrock.” Maybe that was the point, but if so I didn’t get that until now. I hate this article so much though. Heh. Wait, what’s this article? I don’t see it…
Video Games are the Apex of Art
This title is so misleading. My point here was that games are one of the only forms of art that incorporate several different sensory experiences and that’s cool. I think I was trying to go the clickbait title route but I ended up just looking dumb.
Thievery Corporation’s “The Temple of I & I”: What to Expect:
Cultural appropriation Shit, can’t use the C-A phrase.
“Now in The Temple of I & I I think we’re going to hear more of those parts that make Saudade great: noticeable evolution from past albums, more emphasis on the culture of their album, prominent vocal tracks. However, it brings it back closer to the instrumentation of Thievery Corporation we were accustomed to.”
Bringing it closer to the instrumentation we’re used to is me trying to soften how this album already sounded like it was cherry-picking the parts of Jamaican music and culture that it liked and ignoring the rest of it. Not really something I should be trying to soften.
The Temple of I & I:
“Now, I’m aware The Temple of I & I has received some critical reviews for misappropriating the sound of Jamaica. I’m not Jamaican, nor have I ever been strongly invested in Jamaican music, so my opinion my fall secondary to someone more familiar with the culture Thievery Corporation is incorporating this album. Just a heads up.”
Well, at least I was blue-pilled enough to be aware that the points I’m making are kinda dumb. The gist behind saying this is basically, “Hi I know that this album is problematic, but I’m a dumb white girl so I’m going to give you my dumb white girl opinion anyway!”
Reading through the article, I don’t have as much a problem with it as I expected to though. My impetus for making this post was because I remembered making an article about Temple of I & I largely praising it even though it’s a very good example of the C-A phrase, but seeing as I at least gave a warning that this was a dumb white girl opinion I guess I can’t fault myself too too much.
Chroniko’s Boots — How Kaiba Portrays a Corrupt Society
“The society in Kaiba here is portrayed as the corruption of capitalism with all of the wealth and power belonging to a tiny number of rich people and none of the wealth or power belonging to anybody else.”
Isn’t that just normal capitalism?